Yakov Arkadievich Gordin biography

Photo by I. Efimova Yakov Gordin: “I will allow myself to quote the part of the letter that Joseph sent me from exile in June. I think he will not be in a claim, because the quoted piece is not so much personal text as a theoretical passage containing, as I understood, very serious considerations. Therefore, look at yourself not compared. Cremming yourself and, allow yourself and allow yourself all, allow yourself all, allow yourself all, allow yourself all, allow yourself to be all.

If you are landscaped, if it is rude, even if it is trivial, that is your life. yours You yourself will have to take scores with yourself; It is necessary to build a composition. Say, here is an example: poems about a tree. You begin to describe everything that you see from the ground itself, rising in the description to the top of the tree. Here you have, perhaps, greatness.

You need to get used to the picture of seeing in general privateities without a whole does not exist. You need to think about the private's private. About rhyme - in the last, about metaphor - in the last. The meter is somehow present at the very beginning, besides the will-well, thanks for that. Or here is the reception of the composition - a gap. You, say, sing a girl.

You sing, sing, and then - the same size - a few lines about another. And please, do not explain anything to anyone, but the subtlety is needed here so as not to drag out a completely different opera. Here is Virgo, Virgo, Virgo, thirty lines of the Virgin and her outfit, and here are five or six about what reminds of her one ribbon. Composition, not a plot. Bind the stanzas not by logic, but by the movement of the soul - let it be clear to you alone.

They will be dear to you, these verses. And they will save from all opinions. And then you will not want to. Of course, I understand that you are all that I said. To health. But at least you will know this if you did not know before; And if you knew, you will remember once again. The main thing is the same dramatic principle - composition. After all, the metaphor itself is a composition in miniature.

I confess that I feel more Ostrovsky than Byron. Sometimes I feel like a shakespeare. Life does not answer the question: what? And before what? This is the main principle. You can’t answer otherwise. This is a drama. The devil knows why, but no one understands this. Neither cold people, nor passionate. I would like you to understand this and remember. Even if you do not use.

I would like to use you terribly. Photo by M. Milchik subscribe to the newsletter of our bookstore, leaving your contacts, you consent to the processing of personal data.