Andromaha biography

Andromaha character of the tragedy of J. Rasin Andromach Andromake - the heroine of the tragedy of J. Rasin “Andromach” “Andromake”, post. In the plot of the tragedy of Andromach, the widow of Hector, the leader of the Trojans in the Trojan War, killed by Achilles, captive of the son of Achilles Pyrrh. If we take into account that Rasin invited the best actress of the Moliere troupe of T.

Dupark Du Parc to the Burgundy hotel, Nast. The playwright, putting the main characters of the tragedy to the same problem - the choice between duty and a feeling that contradicts this duty - creates a structure in which the characters are connected with each other with repeated relationships: Pyrrhus loves Andromah, but she does not like Pyrrhus, she is true to Hector's memory; Hermione loves Pyrrhus, but he loves not her, but to Andromah, who loves Hector; Oreste loves Hermione, but she loves not him, but Pyrrhus, who loves Andromah, who loves Hector.

In this chain, only Andromach loves the one whom she tells her duty. According to the concept of racin, only in this case the hero can save his life and rise, in other cases when the debt is forgotten, the hero awaits misfortune and death. That is how the plot of Andromachi is built. In no Racine’s tragedy, except for the late Esther Tragedy, the central character is on stage in the first phenomenon, his appearance is always preceded by a conversation about him of other characters.

Andromakh is no exception. For the first time, Oreste mentions her, who came with an instruction to pick up from the epir of the son of Andromahi and Hector, because the Achaean world sees in him the future leader of his enemies. Andromaha misled the Greeks, having given them another boy instead of her son - this is the first news of the main character after Ronsar's poem “Franciad” by the son of Hector and Andromakh Astianax became considered the ancestor of the French kings.

Oreste's friend Pilada tells him that Pyrrhus, the king of Epirus, inflamed with love for the prisoner Andromakh and that she with contempt rejects this love. Shafarenko and V. Shor, but has not yet achieved his own. The emerging Pyrrhus refuses to give the son of Andromahi Astianax, citing the fact that his mother and son are his military trophies that he does not intend to share.

Finally Andromach appears. The first her words contain her entire role, a position that will not change, her whole character. Pyrrhus is trying to intimidate Andromah, then promises her that Astianax would take the Trojan throne, if only she fell in love with him. Andromaha is ready to die soon. Hermione and Orestes are talking about Pyrrhus to Andromach. Pyrrhus decides to give Astianax to the Greeks without breaking the resistance of his mother.

According to him, Andromach sees Hector in a child. The initial characteristic of Andromahi is confirmed: she is true to her husband’s memory, loves her son and suffers from moral tortures, which Pyrrh loving her subjected to her, but is ready to fully fulfill his duty. The whole first half of the III action about Andromach is not a word. She appears suddenly and rushes at Hermione's feet, at which Pyrrhus decided to marry, with a prayer to save her son, to give them the opportunity to settle on some deserted island.

Hermione's cold answer makes Andromah rush at the feet of Pyrrhus. He is ready to protect Astianax only on condition that Andromach will become his wife. Andromaha recalls the defeat of the Trojans, the farewell of Hector with her and her son is one of the most lyrical places of the tragedy and decides to save her son at all costs. She should consult Hector. In the IV action of Andromach, for the first time on the stage when opening the curtain, she admits to Sephiza’s half -time: “So, I decided to sacrifice it.

She gives the latest orders to Sephiza and asks not to give her plan with tears: “Hold restrained, come here. Wear the tears from the eyes. Meetings with her are dangerous. So unexpectedly the role of Andromachi breaks off, she will never appear on the stage anymore. Indeed, her role is exhausted: even at the most tragic moment, she retained the strength of the spirit, the fidelity of her husband's memory.

Racine needs another one and a half action to unleash the fate of other heroes connected by a chain of love-worship. From the story of Orest, it turns out that everything happened, as Andromach conceived, but Pyrrhus, who made her queen, was killed before the altar of the Greeks led by Oreste, taking revenge for the abandoned Hermione. Andromaha, whose rights recognized the Epirians, encourages them to take revenge on the Greeks for the new husband, “and for the same way, maybe”, as Pilado Act V, will be.

Andromaha, who fulfilled his duty, was saved, all other heroes, forgetting the duty under the influence of unrequited love, came to the collapse of their life: Pyrrhus was killed, Hermione turned his back, Oreste lost his mind. The image of Andromakhi's celebration on stage would reduce the tragedy of the work. But there is another reason for the lack of the main character in the final.

A racin psychologist explores the problem of unrequited love as a genuine human tragedy. Andromakh is no exception: her love for Hector cannot be realized and makes her unhappy regardless of whether the captive she or the queen. But the image of the suffering Andromah would contradict the philosophical pathos of glorification of fidelity to the duty.Rasin found the most accurate artistic solution of this contradiction.

The main sources of the image of Andromahi and the plot of the tragedy as a whole are called rasin in the first and second preface to Andromach G. This is the tragedy of the “Trojan” of the I century. In the second preface, Rasin emphasizes the difference between his tragedy and the Andromach’s tragedy that he had attracted: “The Andromach is afraid for the life of Moloss - this is her son from Pyrrhus.

In my tragedy of Molossa it is not mentioned: Andromachi does not have another husband, except Hector, and the other son, except for Astianax. I doubt that the tears of Andromachi would make the impression on my viewers that they really made if she spilled them because of her son, born not from Hector. ” The image of Andromachi has occupied a certain place in the European artistic consciousness since the 15th century and is especially popular after the emergence of Racine's tragedy.

The tragedy of A. Gretry, N. Porpor, A. Sakkini, J. Paisiello, R. Kreutzer and others. David, E. Vekhter and others. In the 20th century, K. Saint-Sans wrote music for the tragedy of Rasin, the tragedies of Andromach E. Posart appeared, Pirr and Andromach, the image of the outstanding interpretation of the outstanding tracker. The Spanish actress Consepsion Rodriguez is the first half of the XIX century.

She was replaced on the stage by the comedy by Franceza Sarah Bernard, who gave the Andromaha the features of the decadent admiration of feelings in the spirit of the turn of the century.

At the beginning of the 20th century, the performance of the role of M. Text was a noticeable phenomenon: Rasin Z.