Bonnar biography

Fontaine-o-Roz, near Paris. In the city of Bonnar, he was trained at the school of elegant arts, where the Nabi group was formed from the Jewish Nebiim Prophets, uniting young artists who searched for new horizons in art. Following the example of the first generation of impressionists, the members of the group, admiring the art of Japanese engraving, sought to simplify painting, working with pure planes.

At that time, the artist’s work is extremely diverse. He draws posters and sketches of furniture, paints screens and theatrical scenery, illustrates books and albums, works on reamps and lithographs. The first personal exhibition of Bonnar was held by Duran-Ryuel in the year. By about the year, the period of "intimism" was completed. The artist again turns to landscape painting more and more, his palette is even more saturated and sophisticated.

Bonnar acquired a house on the Cote d'Azur, in Cannes. In the twentieths, the artist settled in his house in Cannes. He still works a lot and fruitfully, often returning to his favorite topic-“nude”. The artist in Cannes died. Bonnar's work is very diverse: he created sketches of furniture, posters, drawings for fabrics, painted screens and theatrical scenery.

Later, Bonnar departs from sharply defined contours and color contrasts. He comes to painting based on the finest combinations of the color scheme. His paintings are more like Persian carpets or Chinese fabrics. The main topics of his work are interiors, landscapes, small street and household scenes, for which Bonnara often attribute to the second generation of impressionists, later called the "intimists." Pierre Bonnar criticized the impressionists for the incompleteness of the composition and the naturalism of color.

Pierre Bonnara is called one of the thinnest masters and the greatest colorists of his time. His admiration for the usual scenes of everyday life was transferred to the canvas along with joy and noble fantasies. He investigated the game of light in home interiors with the help of a rich artistic style. Among the comrades of Bonnar was called "Nabi Japanese." The fact is that the Japanese engraving greatly influenced Bonnar.

Under the influence of Gauguin and the art of Japanese engravings, artists localized color, made their painting more flat. Contemporaries pay tribute to the artist’s talent. He was also called the "most picturesque painter." At the end of his life, he again turned in paintings to rich color combinations. Art can never exist without nature. The main theme is the surface that has its own color, its own laws above those objects.

New Haven: Yale University Press. Parkstone International. London: Tate Gallery. Pierre Bonnard, The Graphic Art. Pierre Bonnard: Early and Late. New York: Harry N. Abrams, Inc, when writing this article, the materials of the following sites were used: ru. Pierre Bonnar: Pictures of the artist.