Marcello biography

The latest news biography Marcello Mastroianni dreamed of becoming an architect, but became a sex symbol of Italian cinema of the second half of the 20th century and an icon of world cinema. For his fans from around the world, he was the embodiment of a real Italian: passionate, temperamental and amorous. With age, the artist did not lose his charm and starred even more than in his youth.

Childhood and youth Marcello Vincenzo Domenico Mastroianni-this is the full name of the brilliant actor-was born in the Apennins, in the small Italian commune of the Liri fountain. The family where the future star was born lived more than modestly. The earnings of the father-Stolar were barely enough for food for a family, in which two sons were growing.

Marcello had a younger brother Rujero, who also connected his life with the cinema and became a famous cinema monitor. The children's and adolescent years of Mastroanni took place in Turin and Rome. Already at 10 years old, the boy received a working specialty: he, having graduated from a craft school, immediately went to earn money. To help his family, he took up any work. He worked at a construction site, helped shopkeepers unload the goods, made orders to order and even managed to work as an accountant, but dreamed of becoming an architect.

The first time Marcello fell into the camera lens at the summer. The film was shot at the Chinechitta studio, and people needed people. The boy came to earn at least a few lire: in their house there was every coin. After the filming of the dream, Mastroianni did not arise, although the spark of interest in the acting craft broke out. Embed from getty images Marcello Mastroianni in his youth in the year of Marcello received a construction diploma at the State Industrial and Technical Institute named after Galileo Galileo.

He worked as a technical designer in the municipality of Rome, then at the Military-Geographical Institute in Florence. After the Kassibil Turnie, the institute was absorbed in the construction organization of Todt, which operated in all countries occupied by the Wehrmacht. Mastroianni threatened a translation to Germany, so that the engineer set off on the run and hid for some time in Venice.

After the war ended, Marcello returned to Rome and found the place of the clerk. But he dreamed of glory: he went through acting courses and performed in amateur troupes. The novice artist was noticed by director Lukino Visconti, who offered a newcomer to the first professional role in the theater in William Shakespeare's comedy “How you like”, Visconti himself once admitted that the young Marcello knew nothing.

He could hardly utter a simple remark. Probably, the director’s actions were directed by trouble -free intuition, a flair on talents hiding from his leisure eyes, like a pearl in a impenetrable gray shell. Films from Marcello Mastroianni in X Kinematographic biography Mastroianni was gaining momentum. But in those years, the actor, although it was shot regularly, he appeared in the paintings every year, was not yet popular.

At the end of X, he played in the film “White Nights” by Visconti and the comedy “Attackers, as always, remained unknown” Mario Monicelli. But if earlier the artist played workers, rude peasants and taxi drivers, then in these two paintings he embodied more complex and sophisticated images. He was just looking for a suitable candidate for the protagonist of the tape "Sweet Life".

The satirical tragicomedy entered the top of the most famous films in the history of the cinema and received the Golden Palm Branch at the Cannes Film Festival and 4 Oscar nominations. Immediately behind Fellini’s tape, Michello was replenished by Michelangelo Antonioni “Night” filmography, which won the main prize of the Berlin Film Festival - “Golden Bear”. The actor finally enshrined the reputation of a brilliant lyceum, capable of completely dissolving in the style of the director.

Mastroanni again managed to demonstrate the finest psychologism and the highest skill in reincarnation. And if in the “night” Marcello is extremely cold, then in the next picture-“divorce in Italian” Pietro Jermy-he is hot and sparkling. The comedy, which became the classic, collected a whole collection of prizes, including the award of the American Academy of Cinematographic Arts and Sciences for the best original script.

By the way, for Soviet spectators, the hero Marcello spoke from the screen the voice of Eugene Vesnik. After 2 years, one of Fellini's best post -war films “Eight and a half” with Mastroianni and scattering beauties was released: Anuk Eme, Sandra Milo, Claudia Cardinal. This picture and the work of the Italian artist were highly appreciated throughout the world: the tragicomedy won both a large prize of the Moscow Film Festival and two Oscar.

The joint Italo-Franco-Soviet melodrama “Sunflower” with Mastroianni and Sophia Loren in the lead roles was a guaranteed hit, but the erupted international scandal pushed the film to the background. The anti -war tape talked about relevant in the X question about prisoners of Italian soldiers who did not return from the USSR after the war.Most of them died in Soviet camps, the burial places were destroyed, and in Italy they continued to believe that the missing prisoners of war remained to live in the USSR and could not contact relatives.

The Soviet embassy demanded that producer Carlo Ponty cut an episode with the cemetery of the dead Italians, and when it was refused, representatives of the USSR defiantly ignored the premiere of the picture in Rome. The most famous paintings in which he appeared during these years: “City of Women” Federico Fellini, “Ginger and Fred” and “Interview”. In the year, the Italian actor agreed to star with the Soviet director Nikita Mikhalkov, who offered him a role in his project “Black Eyes”.

This work brought the artist the Golden Palm Branch in Cannes. Personal life in the life of a tall handsome handsome Marcello Growth SM there were many women. Legends went about his novels. The artist stated in an interview that he did not dwell on such concepts as a woman, passion, ideal. In m they got married, and in M ​​the wife gave birth to a maestro daughter Barbara.

The couple broke up in m, but did not decorate the divorce. The reason for the decay of the actor’s family, according to a number of media, was the 3-year-old Roman Marcello with actress Fei Danaii-their acquaintance took place on the set of the film “Lovers” Fei wanted to marry a lover, but he was thinking about everything. Offended by his unwillingness to combine fate, Danai called Marcello a “mother’s son”, who is not capable of male deeds.

The actor, who still loved Fay, suffered for a long time from resentment and humiliation, and the artist engaged to American actor Harris Julin. Their movieroman outgrew to real. As a result, the daughter of Kyara was born. The couple met with the years, Marcello suggested that Catherine marry him, but she did not agree, arguing the refusal of exhausted relations. In the year, the artist began an affair with director Anna Maria Tato, who lasted to his death.

But, no matter how many women the actor may be in his personal life, no matter how vividly his novels burned, he did not forget to send his wife a luxurious bouquet of roses to the anniversary of the wedding. It was Flora until the end of the days of Marcello considered the best wife, mother and girlfriend. The death of the legendary Mastroianni was gone in December.

In recent years, he fought with an incurable disease - pancreatic cancer, which eventually became the cause of his death. Despite the terrible pain and weakness, the actor continued to act and go on stage. His final work was the role in the play “The Last Moon”. In the morning, Marcello passed chemotherapy, and in the evening appeared in front of the audience. The master died in a rainy December morning in Paris, the capital of his second homeland, as the artist called France.

The Roman Fountain Trevi, where the scene of the film “Sweet Life” was once starred, was draped with a black cloth on the day of his death. The Italian newspaper "Republic" was released with a sad combined photo on the first page: Fellini who died a few years ago, standing on the cloud, calls Mastroianni: "Come here, Marcello, here is fine."