Biography of Krupin photo

Born September 7 in the village. Kilmez of the Kirov region, the son of a forester. After graduating from a rural school, he worked as a locksmith, a loader, Rabselcor of the district newspaper. He served in the army, studied at the Moscow Regional Pedagogical Institute. Krupskaya graduated from the Faculty of Literature and the Russian Language, which he spoke about with lyrical warmth and live humor in the novels “Sorry, working on central television, in various literary and artistic publishers, taught at school.

He teaches at the Moscow Spiritual Academy; with the chief editor of the Christian journal“ Blessed Fire ”, he began with the publication of poems, reports and essays, but a true writer's writer Krupina, the author of the “village prose”, was manifested in stories and stories, in the widespread fame was brought by Krupin's story “Living Water”, which is familiar with the late 19th - 20th centuries.

Men, homegrown philosophers, wise holy fools, awkwardly, naively, nobility, can identify the true essence of events, tell the truth, courageously opposing the “leitmotive” for Krupin, lies that have saturated the modern social structure, provoking and drunkenness, and social apathy, and moral indifferentism. The theme of the “small homeland” in a wide historical context is revealed in the cycle of the stories “Vyatka notebook”, where the lines of chronicle are adjacent to the legends of the Old Believers, and the memories of military childhood - with a story about the fate of interesting people.

The through thoughts of the true greatness of the outwardly modest, “unwashful” being, related in the interpretation of the writer by the national Russian character, in which Self -irony prevails over vanity, and the search for the ideal - on the search for material goods, manifests itself in the story "The other day or earlier", dedicated to the problems of family life, and in the story "Pictures from the exhibition" and in the turn of the ruble " And higher ", where the artist’s desire for glory, recognition and even creative success are interpreted as a path fraught with the danger of moral death, self -destruction of the individual.

With the beginning of the “perestroika”, Krupin actively acts with the “state -patriotic” positions - and as a tendentious fiction writer Roman -public, the “sick” moralist, flawed, in the opinion of Krupin, creative intelligentsia and the atmosphere in the writer's environment - “salvation of the dead”,; The story "Farewell, Russia, we will meet in paradise", which showed the agony of the Russian village of the late 20th century.

The sympathetic, pacified tonality of the majority of Krupin’s works, a special taste for folk speech, folklore, saturation of the tissue of the story with ditties, sayings, sayings, etc. Remember the four rules: the first one, otherwise you can’t read, the second is to drink to the bottom, otherwise you will not be taken into the hand, you will not put the stack in the arm, other - Do not hold for a long time: the hand will dry the kilmaz of the Kirov region.

Born in a peasant family, his father worked in forestry. In childhood, he experienced all the hardships of the village life of the military and post -war years. The desire for writing was manifested by Krupin already in school years. He worked as a village in the district newspaper, a combiner, a locksmith, and served in the army. During his studies at the Faculty of Philology of the Moscow Regional Pedagogical Institute, he collaborated in various many trains, after graduating from the institute he worked as an editor and screenwriter on television, a literature teacher at the school, and the editor in the Publishing House of Contemporary.

The first publications of Krupin - essays, reports, notes - appeared in the district periodicals, army and factory newspapers; Several poems of Krupin in E were published in the collection of works of young poets. However, from the beginning of the X Krupin, he has completely devoted himself to prosaic genres. The first book of "Grain" revealed Krupin as an original author, Comrade Book.

The book combined works of various genres. Folk wisdom appeared in the ingenuous stories told by a simple peasant woman, they composed a story in the stories of “Barbara”: in several short stories about childhood, the young heroes nevertheless retained a reverent and eternal, bright attitude towards the world in a poor and hungry post-war village; The Yamshchitskaya Tale was devoted to the tragic events on Vyatka land during the fratricidal civil war.

After the publication of the novels of Living Water and the fortieth day, complete humor, grotesque, fantasies and folklore reminiscences, the novel-fairy tale “Living Water” affected many pain moments of the life of the Russian people during the “stagnation”, the impoverishment of the moral reserve of the village, universal apathy and alcoholism, gained wide fame.

The main character of this socio-philosophical parable, the groom of the bricks, unexpectedly for others becomes a teetotaler. In his thoughts, a deep longing for gaining the meaning of life appears, and in the acts bordering the foolishness - denunciation of emptiness, the non -mercy of the “drunk” and unrighteous surrounding world. Krupin prosperity indicated the danger of “perestroika”, promising everyone dubious sources of graternity.

The story exposes “household” means that change the bodily, but not the spiritual life of a person. Their symbol is a fountain that miraculously scoring from under the ground supposedly living water. But she “belongs to the world where good deeds are only experience in people, mockery, impudent deception” Strelkov I. Krupin rethinks the folklore image: water, outwardly rejuvenating people, paralyzes their conscience and ultimately turns the fountain of alcohol.

The story in the letters "The fortieth day" is our contemporary. The book is performed pain about the native land lying in poverty and drunkenness; Sorrow about the people who disappeared without the use of the spiritual forces of the people. In the center of the “letters” of the author is the woeful fate of the father, a hard worker, a front -line soldier, whose generation endured the severity of the worst of the wars on their shoulders.

Krupin describes the anti -national policy of the authorities: the demolition of villages, the abandonment of fields, the urgent and destructive nature of land reclamation. The leitmotif of the story is the word “lies”: the life of the people is immersed in the atmosphere of lies - from the authorities, press, television. The book was not in the Solzhenitsynly merciless denunciation of existing orders, it is rather a moan, crying in Russia a fortieth day is a memorial when the soul of the deceased parted with the Earth and appears to the court of God.

At the same time, this is the author’s court over himself, his repentance in the untruth that he voluntarily or involuntarily wrote in his essays and reports, and reproach the conjunctural journalists who “think one thing, they say the other, write the third.” The reaction of ideological bodies to a story, the publication of which in those conditions was an act of civil courage, was ambulance: it was subjected to study in the press, the deputy chief editor of our contemporary, Yu.

Seleznev, was dismissed. Under the rigid pressure, Krupin was forced to publicly declare that he considered his story “raw”, and to remove sharp places.

In a cut -out form, called “Thirteen Letters”, it was published until it was restored again in its original form. The best works of Krupin feed on the roots of the "small homeland", the Vyatka land, the bright and bitter memories of childhood and youth. In the prose of the writer, stories, stories, history, witness or participant of which the author himself were dominated.

The fate of Russia, the soul of a Russian person - these are the topics that concern the writer in the first place. Beloved characters of Krupin - village eccentric peasants, homegrown philosophers. In their first glance, naive, sometimes tongue -speaking judgments, an accurate and deep understanding by the people of what is happening with the country, appears. This is Yevlan “The Tale of how ditties, witty aphorisms, song bits, poetic quotes, leders and sayings constantly sound in the books of Krupin; Vyatka folklore, a living and figurative folk word sparkles with bright faces.

The history of the native land is captured by grain in the cycle of historical essays “Vyatka notebook” “Sorry, goodbye the theme of love, the mystery of the unpredictable and wayward female soul, the difficult relationship of a man and a woman also constantly excite the writer's stories“ See to forget ”,“ Family scene ”, the story“ Sorry, farewells to convey the wise experience of the ancestors, Russians Moral traditions to young people who entering the path of marriage: the cycle of notes “Light of Love” is devoted to this, as well as the grain collection “We are building a house.

The book about the young family ”in the prose of Krupin X sounds the sincere, sympathetic word of the interlocutor, the bright, peaceful intonations prevail. A special, humble-spaced mood, aggravated conscientiousness are inherent in the work of the writer, who sees the weaknesses and weaknesses of human nature, primarily his own, which gives rise to warm and kind humor.

And although there are no religious problems in the works of Krupin to X, in them there is a feeling of the invisible presence of the highest power in the world, the consciousness of the coming trial over all the cases and thoughts of a person for which he will give an answer at the end of earthly life. Krupin's favorite heroes are distinguished by the humble acceptance of the surrounding being, ascetic patience.

In the article “Cross and the abyss”, the writer directly speaks of the saving of this quality: “It seems that there is already nowhere to be heavier than the Russian cross, but this is not the limit. But we will cross the future abysses thanks to him. ”The light of love. According to V. Rasputin, Krupin “softly and unobtrusively, almost imperceptibly for the reader leads to the basics of human being - to responsiveness, selflessness, love for neighbor, for the gradual awareness of the ultimate truth: for genuine freedom and happiness, a person needs to give more than to take” Rasputin V. The few “urban” works of Krupin most often open the morally sick, the flawed world of the intelligentsia, which is filled with spinning men, predatory women, destroyed families, and distracted love.

Real, integral life passes away from this exhausted existence. In the story “The other day or earlier”, experiments on morality turn out to be terrible retaliation. Talent is God's gift, given to the artist, the hero of the story “From the Ruble and above”, and others are destroyed, and he himself. The novel “Salvation of the Dead” is a grotesque satir to the customs of the Writers' Union.

Problems of the spiritual state of modern Russia are also addressed in the witty story “ONLY, so immediately”, written in the form of notes of a psychiatrist who makes the diagnosis of MN with the help of his patients. The journalism of Krupin X, collected in the books “Ring of Cares”, “Light of Love”, is dedicated to the covenants of Russian classics, the modern cultural process, the work of V.

Rasputin, I. Glazunov, raising children, salvation of youth from the ugly world of mass culture. In the journalistic essay, the heading of which was a line of ditties: “To what, Christ -seller, you have brought Russia from the beginning X in the books of Krupin has been occupied by the topic of Orthodoxy. The life of the hero of the story “Great Font”, who experienced the whole severity of religious persecution, more than once imprisoned, has become a confessional feat for the faith of Christ.

The essay “Cross” is adjacent to this story, telling about the traditional pilgrimage to the place of glorification of the Great-Rare Icon of Nikolai Wonderworker in Vyatka Earth, the participant of which was the author in with Krupin, the editor-in-chief of Moscow magazine. In these years, the magazine began to pay much attention to the spiritual roots of Russia, the section “Home Church” was introduced, familiar with the reader with the Orthodox creation.

The writer’s credo is expressed in his words: “And now, already for good, literature is the means and the goal of bringing the lost and myself to the Light of Christ” Our contemporary. By the middle of X in the work of Krupin, the feeling of a great nationwide disaster is growing, a feeling of what happened to the country of historical disaster. The strong, emotional, journalistic open word of the author encourages the reader to see the abyss on the edge of which the state turned out to be shudder from the elements of impunity evil.

In the stories of Moscow-Odessa Moscow. In the narratives of Krupin “Glory to God for everything. Travel thoughts ”,“ We ​​are not people, we are Vyatka. A story-stenogram ”mosaic of human destinies, events, characters of both real and collective-fantastic acquires an apocalyptic interpretation. The only thing that can save the country is the churching of the people: "One remained Russian - the Orthodox Church and prayer." Following F.

Dostoevsky, I. Ilyin and others. Krupin compiled the “Orthodox Alphabet”, “Children's Church Calendar”, the collection “Russian Saints” - books familiarizing children with the basics of a church life. In Krupin, he published the story “Love me like me” - about the tragic, pure and all -conquering love. The best works of the writer X are collected in the book “The Tales of the Last Time” by the reviving rural church of the Vyatka diocese, the image of a rural priest, which defends both the physical and moral being of an abandoned village, is dedicated to the collection of the stories “The Sign of the Horto.

Bunny of the rural church. Notes of the parishioner "