Evgeny Marcelli Biography

The latest news biography of the director Evgeny Marcelli is often called the theater bully. In his performances, external coldness is combined with internal firing passion, and actors often go on stage not in costumes corresponding to the era, but in jeans. Childhood and youth the future theater figure was born on May 19 in the capital of the Kyrgyz SSR Frunze today the city is called Bishkek.

Father-a native of Turin Giuseppe Joseph Rokkovich Marcelli-was already 41 years old, the man was an accordionist of the Concert Group of the Russian Drama Theater named after N. in the biography of a musician who had Italo-French origin, there was also the flight with the-anarchists from fascism from Italy, first to Belgium and then to the USSR, and the father and the link of the father and the father and the reference of the father and the father and the reference of the father and the reference of the father and the link Mother, and studying in the military-music and military engineering schools, and the service at the beginning of the Great Patriotic War in the Rifle Regiment and in the medical battalion.

In the summer of the year, a decree was published, which forbade foreigners on birth service in the ranks of the Red Army. Joseph Marcelli was first sent to work as a commandant for a sawmill in Kotlas, and then, after conviction, to the labor army for the construction of the Chelyabinsk Metallurgical Plant. Thanks to the profession of a musician, a native of Turin became a bayanist of the agitbrid at the political department of construction.

In September, the jazz anti-antenatal, in which by that time Joseph Marcelli was played by that time, was disbanded, and he himself was sent to live in Frunze. The city liked the city with warmth and an abundance of fruits. The musician first played in restaurants, and then became a member of the troupe of the Russian Drama Theater. At one of the chef concerts, Joseph met with the Russian girl Zoe soft.

Soon a wedding took place. When the firstborn was born in the family, his father wanted to call him Giuseppe, but his mother insisted that the boy would be called Zhenya, and “Russian” would be written in the column “nationality”. Four years after Eugene, the daughter of Marina was born among the Marchelli spouses. Adik Marcelli was also entered into the family, whom some acquaintances considered Joseph's older illegitimate son, while others were the musician’s nephew.

Evgeny and Marina grew up that they were lucky to be born in the country of Soviets, and not in Italy with cruel capitalist customs. Having visited the X -olds on the Apennine Peninsula and getting acquainted with the wealthy and cheerful relatives, among which the leaders of the Fiat company in Tunisia were also found, the director realized that he had somewhat overestimated his luck.

However, among the joyful moments of the childhood of Zhenya and Marina there were regular performances on the stage of the theater in which the father served: Joseph-Juzeppe’s offspring played, in particular, in the play “Kremlin chimes”. In his youth, Eugene managed to work in the theater by an illuminator, a mountist, a radio operator and a requiser. Having wanted to become an artist, the guy unsuccessfully tried to enter all Moscow theater universities, and then studied for some time at the Siberian State Metallurgical Institute named after S.

Ordzhonikidze, located in Novokuznetsk, today the university is called the "Siberian State Industrial University". At 24, Marcelli graduated from the acting department of the Yaroslavl Theater School. He looked at the performances of the Yaroslavl Academic Theater named after F. Volkov with horror - they did not like their excessive seriousness and academicism. As the viewer he liked the experiments of Yuri Petrovich, but he already believed that, if he became a director, he would try to avoid Lyubimov’s politicism in theatrical works.

Within the walls of the Yaroslavl School, Eugene realized that it was more interesting for him to put other people's studies than to play himself. In the fourth year, the Russian Italian underground underwent the vaudeville of Eugene Labish “Major Kravashon” independent productions were prohibited for students. When Marcelli ventured to show the result to the teacher Firshigin, he was delighted and included the production of diploma performances.

Evgeny received higher education with a degree in Drama Theater at the Schukin School, where Alexander Palamishev was his mentor. Director Evgeny Marcelli in M ​​Marcelli presented the play “Island” on the stage of the theater in the city of Sovetsk, after which he was offered the place of the director-operator here. And six years later, he became the main director of this theater.

The popularity of the work of the Russian Italian grew - other theater centers began to invite him. So, in the second half of the X, the master collaborated with the theater named after Evgeny Vakhtangov in Moscow, as well as the theater of drama in Kaliningrad. Already at that time, a well -recognized style of projects of Yevgeny Zhosephovich appeared, which has not changed now.

For Marcelli there was no taboo on the stage, including in pronouncing the mat and demonstrating the naked body. In the spring of the year, the director tried to blame pornography for the original interpretation of Maxim Gorky's play “Dachniki” on the stage of the Kaliningrad Regional Drama Theater. The master himself in an interview noted that in the theater the concept of success is blurry, but provocation is in any case one of the elements of success.The performance, according to the director, should cause very conflicting feelings.

At eight years, with GO, Marcelli settled at the Russian Academic Drama Theater named after Fedor Volkov in Yaroslavl as an artistic director. He believed that relations in the troupe should be built on love and respect, and did not want to be for actors Karabas-Barabas. The director claimed that with age it became softer than in his youth, because he was convinced that many performances that did not coincide with his directorial vision went with a full house.

Working in this theater, the director replenished the number of his awards. So, in particular, in the year, the performance “without name” based on the play by Anton Chekhov “Devoner” in an interview with Marcelli admitted that Anton Pavlovich, his beloved playwright received two Golden Mask prizes in the “Best Best Form Play” and “Best Male Role” Vitaly Kishchenko.

The Mossovet Theater for the appointment of Yevgeny Zhozfovich by the artistic director of the Mossovet Theater in M ​​was followed by a number of scandals. Viktor Sukhorukov resigned from the troupe, and Alexander Domogarov, accusing Marcelli of destroying the theater, took a creative vacation. Not all members of the troupe liked how the new artistic director made a farewell to actress Tatyana Bestaeva, who died in the midst of the second wave of Covid, and how he organized the celebration of the summer anniversary of the artist Nikolai Lebedev.

Nevertheless, over the first year of work, the head of the Moscow Council released eight prime ministers and restored three performances of the old repertoire. Before the arrival of Marcelli, the number of new productions in the theater did not exceed two a year. In the year, the Mossovet Theater continued to surprise the number of prime minister. In November, Yevgeny Zhosephovich presented the “unprodantic” to the audience-a production in which Larisa Ogudalova was shown as a victim of capitalism, the object of operation and manipulations of business elites.

And in April, Evgeny Zhosephovich proposed a new vision of the Moliere Tartuffe, interpreting the creation of the French classic not as a comedy, but as a tragedy. Interestingly, Alexander Domogarov was supposed to play the main role in the play, who by that time returned from creative vacation, but refused the project before the premiere. In an interview, Marcelli noted that the first year of his work at the Moss Council theater, he came to the theater, as if apologizing to the artists, in the second year he already knew where to move, on the third, when new productions were released, he felt calmer.

And in the fourth year, the director could say that he found a common language and “with youth, and with the middle part, and even with the elderly,” calling the members of the troupe. Personal life of the director’s personal life is inextricably linked with work and creativity. The wife of Evgeny Zhosephovich was actress Anastasia Svetlova. The novel between the director and the artist began when Marcelli staged the performance “Ekaterina Ivanovna” in Yaroslavl and the former director of the theater Boris Mezdrich suggested taking Svetlov.

For the embodiment on the stage of the heroine Leonid Andreev, the actress was awarded the Golden Mask Award, and in M ​​became the honored artist of Russia. After appointing the artistic director of the Mossovet Theater, Yevgeny Zhosephovich did not fundamentally take his wife to the troupe, explaining his decision as follows: “I could not do this because there are actresses here and I must provide them with work.” However, without gossip and accusations of families were not.

The girl's stepfather did not resist the decision of the director, especially since at that time there was not a single actress under 30 in the troupe. Marcelli claimed that if the participation of his wife or her daughters will be required in future premieres, he would attract them to the game without a shadow of doubt. The director does not lead the pages in social networks, but his photos periodically appear on the Internet.

It was reported that the artistic director of the Moss Council theater urgently hospitalized, presumably due to a hypertensive crisis. It was assumed that the director was damaged by internal organs. Earlier it became known that he had chronic polyarthropathy and other related diseases, so he was taken to the medical facility on a gurney. Before that, in M, Marcelli suffered a heart attack.

In an interview, the director emphasized that in his youth he was proud of the fact that representatives of his profession often die from this ailment. But when he collided with him, he radically reviewed his lifestyle, refused smoking.