Innsaf singer of Tatarstan biography

Gubakha Perm region. In the city of August, People's Artist of the Republic of Tatarstan Fakhrutdinov began working at the Menzelinsky Theater in the fall of the year. He possessed a beautiful singing voice of the baritonal timbre, went through a strong professional acting school. The young actor played in the theater everything that was offered - at first small roles, participated in the masses.

But even then it became clear that a serious, responsible, talented artist came to the theater, recreating the character of his heroes with life fullness. A year later, Insaf remarkably played one of the best roles of the initial period of creativity - Irkenbay “Sodom” G. G. The emotional softness of the young man was revealed through his courage, honesty. In the seventies, the actor plays Masadec - the “last sentence” by T.

Abdulmatov, Rauf - “Two Brides” H. Wahita, Shaku - “Homeland” K. in all roles, the intensity of his feelings, a clear lyrical certainty was manifested. In the first decade of work, the specific originality of the talent of insaf was also manifested - his hot temperament did not break out, but was hidden deep inside. From here his heroes seemed restrained people, not splashing their feelings.

Gradually, Fakhrutdinov begins to occupy a leading, leading position in the troupe. In the eighties, the actor creates a variety of images, often opposite in nature, the place of action. Say, the bear is the “blue shawl” by K. It would seem that the small episodic role of the fugitive hiding in the forest. But this bear was a convinced fighter, preaching the need to combat evil. And next to Mishka was another hero, another time, another nature - comic Kochkarev “Marriage” by N.

Gogol - active, restless, tired of persuading Podconin to marry. Yuzeeva “Last Night” and A. Guffara “Yellow Flowers”. Courageous heroes with a tragic fate. Musa, who has preserved both devotion to the Motherland and his poetic soul, Vakhitov, who sincerely believes in the ideals of the revolution, in the creation of a new, free Russia, where all its peoples will live freely. Again, a different type-Buslai “Pie” by A.

Dudarev is a negative character, a person who has lost his soul, humanity due to the pursuit of material values. The actor showed him as a tragic character who mentally killed himself. What are different images created by one actor! How much strength, how many vital energy should the actor need to be invested so that people were born not only with other fate, but also become clear to the viewer who would accept them and love them.

In with the same creative fuse, InSafa Fakhrutdinov continued to work when, after eighteen years of Menzelinsky, he moved to the Naberezhnye Chelny, to the Tatar Theater opened in the year. Here he is already twenty -two years old. Fakhrutdinova, of which almost forty is given to the stage. In Naberezhnye Chelny Fakhrutdinov, a frequent guest of television shows on art, teaches acting at the Children's School of Theater Arts.

However, the main thing of his life remains the theater, work on new images. Among them: comic Gabdullazhan - "American" K. Tinchurin; Dramatic summer Cabot - “Love under the Klit” by Yu. Salyakhov; The vile, arrogant official of Utregol associated with crime, - “Nurisham's house” R. Potapych - “Burlak” M. From the very beginning, the performance unfolds at a rapid-effective pace.

Such a pace is set by Demyan - an imposing, confident owner of life. For an outwardly calm, good -natured look, the actor makes it possible to feel the true essence of his hero. For the sake of his own courage, he warmly convinces the young, inexperienced Gabdulla to send a barge to Kazan in the late autumn. Gabdulla does not understand the essence of intrigue, games, started by Potapych.

With the same passion, he persuades the Burlakov so that they agree to drag the barge before the ice -start. These and other images - dramatic, comic, positive, negative - speak of the breadth of the creative range, about the perfect persuasiveness of the actor's heroes. He just lives on stage the life of his characters. Fakhrutdinov learned another, very difficult craft - to love the art on stage.

He is so sincere, warm, naturally loves his stage beloved women that you are amusing!